VISITING LECTURERS EXAMINE DETROIT:
Sugrue and Vergara on the plight of America's Cities
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On Friday, March 21st, as part of Wayne State University's Humanities
Center Faculty Fellows Conference, several speakers spoke on the subject
of "The City and Civic Virtue." Nick Sousanis and Francis
Grunow report on what two very different speakers - photographer and
sociologist Camilo Jose Vergara, and social historian/author Thomas
J. Sugrue - had to say about the history and future of Detroit.
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HOPE LIES IN REDEFINING COMMUNITY:
THOMAS SUGRUE EXAMINES THE GREAT DIVIDE - Nick Sousanis
Thomas J. Sugrue is best known for his multi-award winning book, The
Origins of the Urban Crisis (Princeton University Press, 1998),
a study of race and inequality in postwar Detroit. An active participant
in his own community - a fully integrated neighborhood in Philadelphia
- the native Detroiter and dedicated urbanist gave a spirited talk to
an enthusiastic, overflowing crowd at Wayne State. Citing
statistics about Detroit's high rate of poverty and marked segregation,
Sugrue posed the question, "How can large parts of a city be left
behind, while scant miles away prosperity and wealth are being generated?"
Sugrue then proceeded to discuss and debunk the conventional reasons
cited for Detroit's decline: a welfare policy that began in the 1960s
that aided and abetted desolation, by creating a culture of poverty;
the 1967 riots and Coleman Young's combative tenure as the city's mayor,
beginning in 1974. These factors, it's often argued, supposedly led
to the mass migration of whites and wealth into the suburbs. But Sugrue
argues that these are grossly inadequate explanations for the "white
flight" and the loss of capital in the city and points to circumstances
that arose, not in the 1960s and 70s, but in the 40s and 50s: capital
flight, discrimination in the work place, and segregation in the residential
sector. Between 1947 and 1963 Detroit lost 100,000 manufacturing jobs.
Even as blacks were moving in to the city, manufacturing jobs and money
were flowing into the suburbs, into other areas in the the Midwest,
the South and eventually to Mexico. With the loss of jobs came a loss
of capital to sustain city neighborhoods, while home ownership (and
capital) followed a largely white workforce into suburban areas. This
shift was aided by overtly biased policies within the real estate industry,
which worked to further segregate blacks and whites, and push whites
to buy new homes in the suburbs. As greater Detroit's economy rebounded
in the early 1960s, white workers had even greater economic power, and
continued to move out of the city. The homes they left behind were aging
and harder to keep up, leaving new black homeowners in the city with
less home equity to finance everything from home repairs to higher education.
According to Sugrue, these inequalities were eventually written into
people's understanding of the area: Unnatural boundaries arose that
kept blacks and whites apart, while shaping access to resources and
political power. Sugrue identified three such boundaries.The Boundary
of Solidarity: The rise of homeowners associations which fostered
a sense of communal identity in neighborhoods and gave residents the
de facto power to say "who's in and who's out," and perpetuate
racially segregated communities.The Boundary of Privilege: Zones
of class and racial homogeneity were further fostered by the great power
wielded by local governments within the greater metropolitan area. Local
governments, elected by residents of smaller communities, could and
did act to preserve boundaries along racial lines - and make it much
harder for blacks to move out of the city.
The Boundary of Signaling: Banks, real estate agencies and other
investment institutions engaged in "red lining" certain areas,
making home loans and commercial investment off limits in poor and minority
neighborhoods.This last "border," Sugrue says, reinforced the
other two, by making it economically dangerous for a white communities
to break the color line. Sugrue went on to suggest that the city's revitalization
depends on reconfiguring how we think about community. By continuing to
leave the allocation of resources such as education and public works in
the hands of local governments, communities that would otherwise have
common interests are artificially pitted against each other in a competition
for resources. Meanwhile, the emphasis on local control, greatly limits
the population's power to make changes that would benefit the metropolitan
area as a whole. Sugrue argues the only way to deal with the problems
facing our cities, is for urban and suburban residents to begin thinking
of themselves as members of a broader metropolitan community, with shared
interests and shared problems.
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POWERFUL IMAGES DOUR OUTLOOK:
VERGARA SHOWS AND TELLS - Francis Grunow
During Camilo Jose Vergara's lecture at Wayne, the photographer/sociologist
showed off some of his latest time-lapse photography and talked about
how he sees Detroit being recast as a "lesser city."
Vergara
has devoted his career to documenting the transformation of the American
inner city, particularly the physical devolution of the built environment
in some of the nation's most "notorious" centers of blight,
including Detroit. He is perhaps most famous, or infamous, in these parts
for his proposal to turn twelve square blocks surrounding Grand Circus
Park into an urban ruins theme park several years ago.
While Vergara's theme park proposal met with local opposition and consternation,
his fascination with and documentation of Detroit's decline for the last
two decades is highly regarded and has been compiled in several volumes,
including American Ruins, which shows buildings such as the Riviera
Theater on Grand River Avenue and several Brush Park mansions succumbing
to nature, the wrecker's ball, or both.

At Wayne, Vergara asserted that Detroit's continuing process of demolishing
older high-rising buildings while developing lower scale, less dense environments,
that generally pale in comparison to what is being lost, is in effect,
creating a "lesser city."

Vergara's hauntingly beautiful, sometimes achingly painful images of
Detroit, surely stand for themselves. But in his secondary role as roving
sociologist/commentator, ala his theme park suggestion, the photographer
can come of as a smug or cavalier outsider, weighing in on the sorry state
of America's cities without offering any true insights into how they might
be saved.

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©2003 thedetroiter.com
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