(re)COLLECTION:Rolf
Wojciechowski
from the Ann Arbor Years 1988-2000
Exhibition
and Silent Auction
of artworks by former Ann Arbor artist
Saturday May 12 Saturday May 19 Hours: 1:00pm ~ 5:00pm
(the artist is present at all times)
Contact the artist at 734-276-7886
Closing Reception & Silent Auction May 19
Bids may be made throughout the week;
bids close 4:30pm May 19
Cash or checks only - pickup by 6pm
Rolf Wojciechowski
Rolf Wojciechowski, originally from Berlin, Germany
lived and worked in Michigan as a free-lance visual
and installation artist from1985 to 1990.
During that time some work was exhibited at CLARE SPITLER
works of art Gallery, in Ann Arbour. The gallery closed
to the public around the millennium, but Wojciechowskis
work continued to be viewed by invitation until this year.
Clare Spitler is now retiring from a life of dedication
and commitment to the promotion of art and artists. She
will be much missed by all who did business with her.
After Wojciechowskis return to his native Berlin,
he continued his involvement with local artists from Michigan
until 2000.
In 1998 Wojciechowski remarried and moved to Newcastle,
UK where he now lives and works.
Since his last exhibition at WCC in 2000, his interest
has mainly focussed on the local coastline and surrounding
countryside.
Much of his work is still based on photography and collage,
but also includes large- scale indoor and outdoor installation
which focuses on environmental issues.
Some projects document the impact that the changes from
former industrial landscapes into green spaces have onlocal communities.
Others seek to heighten awareness of the importance of
the conservation and preservation of the coastline, and
the protection of marine-life.
One such project was a collaboration by Wojciechowski,
local poet Keith Armstrong and Tyne Metropolitan College.
During a two year engagement with The Artist Network
- a North East based artist- led organisation which supports
its members in Open Studio events - Wojciechowski had
the opportunity to show his work to a wider audience.
As a result of interest shown and ongoing dialogue during
this period, he felt the need to begin work on a publication
which will inform and lead to a deeper understanding and
appreciation of the conceptual aspects of and the complexity
of visual perception in his art - the driving force in
his work.
210
Nichols Arcade Ann Arbor
(above the barbershop)