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EMU Ford Gallery





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University Art Gallery


Monday December 1 through 5, 2008

Gift of Giving II Exhibition

This exhibition showcases the generous gift of contemporary lithographs, silkscreen prints and etchings donated to Eastern Michigan's permanent collection by Albert Scaglione, CEO, Park West Gallery. Park West's gift stresses the importance of funding art and the role it plays in a student's intellectual and cultural experience on campus.

Original works of art not accessioned into the permanent collection will be available for purchase. These include works by such internationally renowned artists as Itzchak Tarkay, Jean-Claude Picot, ahd Faunch Ledan. Prints by stone lithographer Emil Weddige will also be for sale at special reduced prices. Proceeds from the sale of works by Weddige fund art and music scholarships at Eastern Michigan University and the University of Michigan. The Emil and Juanita Weddige Scholarships are awarded yearly to upper-level students who have demonstrated excellence in their major art/music interests. The success of last years Gift of Giving sale enabled Eastern Michigan to offer a record number of scholarships for the 2008-09 school year. Sales of works by other artists will benefit various fine art programs at Eastern Michigan University.

The gallery is open Monday and Thursday, 10:00 a.m. to 5:00 p.m.; Tuesday and Wednesday, 10:00 a.m. to 7:00 p.m.; Friday 10:00 a.m. to 2:00 p.m. For more information about this or other exhibitions, contact Larry Newhouse, Gallery Programs Director at (734) 487-4065 or larry.newhouse@emich.edu. Ford Gallery is barrier-free, free and open to the public.


Monday, January 12, from 4 - 6pm

gallery talk at 5pm

Born to Win, an installation/exhibition by David Borawski

Born to Win, created especially for Ford Gallery, incorporates sculpture, painting and video in an stimulating gallery installation that comments on presidential electioneering, corporate imperiousness, auto racing and their emotional and financial effects and affects on our culture and society as a whole. Visually challenging and cogent, the separate works interface and debate each other both optically and conceptually, with recognizable elements, materials, and titles forming a framework to decipher and interpret the work.
According to Borawski, his works begin "with materials (Celotex insulation, traffic safety cones, highway signs, sheet metal, tar paper, fluorescent lights, etc.)," which he "brings together in highly suggestive arrangements. The resultant site-specific/site-adaptive works place emphasis on conflicting and contrasting surface textures and colors," while bringing the materials' original functions into question.
Borawski's installations make reference to advertising, politics, prisons, shooting ranges, the military, death, highway construction sites, and the American flag, while also mocking traditional modernist art. His works often deal with signs and symbols that have specific cultural significances but also suggest universal meanings. These signifiers are subtly manipulated and combined with other imagery to create at times enigmatic, at times contradictory meanings. Titles, often drawn from movies, pop song lyrics, clichés, double entendres, abbreviations and palindromes, further enhance the allusive power of his works.
David Borawski lives and works in Connecticut and has exhibited his work in galleries, museums and universities in the United States and Europe. He received his BFA from the Hartford Art School of the University of Hartford.
For more information or a press photo, contact Larry Newhouse, gallery program director, at 734-487-1268, 734-487-1077 or larry.newhouse@emich.edu. For directions to the gallery, go to http://www.emich.edu/fordgallery/map/html.

From January 12 to February 20, 2009


Current Show

Muse: A Project of the Telegraph Art Collective

The University Art Gallery is in the EMU Student Center on Oakwood St. in Ypsilanti. The opening reception will be held on Tues. Oct. 14 from 5:00-7:00 p.m., with a gallery talk by the Telegraph artists at 5:00 p.m. The exhibition and opening are free, open to the public and a EMU-LBC (Learning Beyond the Classroom) Event.
Comprised of seven members with diverse disciplinary backgrounds, TELEGRAPH is an artist collective that originated in Detroit, Michigan. The name Telegraph describes both the group's long-distance method of collaboration (the members are now scattered across the country) and pays homage to Telegraph Road, the ubiquitous Detroit thoroughfare. The collective functions as a running conversation, typically conducted at long range. Occasionally the group comes together in one location to collaborate on projects and exhibitions. Telegraph made its debut at the Art Chicago Stray Show in May 2004 and has since showed in Toronto, Kansas City and Detroit. The artists of Telegraph continue to exhibit individually at galleries and museums both nationally and abroad.
EMU as Muse: Telegraph members will enthusiastically descend upon Eastern Michigan University (EMU) where they will spend three days creating site-specific work engaging built and open spaces, as well as the detritus, the people and the resources of EMU and vicinity. The artists will not bring finished works to Ypsilanti, instead they will arrive with notes, sketches, pieces, parts and their curiosity. EMU becomes the object of Telegraph's artistic inquiry. All this will happen in the 72 hours before the opening and may continue throughout the opening reception and until the artists depart for their homes in Birmingham, Boston, Chicago, Fort Collins, Las Vegas and Los Angeles.
The intention is to define an exhibition not as a collection of prefabricated products, but rather as a body of work that is immediate, growing and organically connected to its place of origin. This approach to art-making emphasizes process, response and participation over product as its raison d'être. After the exhibition's run, the objects, wall paintings, drawings and other interventions will be recycled or painted over, becoming permanently integrated into the campus' collective memory. This sustainable exhibition will blend and reflect the various approaches, skills and sensibilities of the artists involved. Get ready for some kick ass sculpture, craft, design, architecture, performance, video, drawings, and kitchen sinks!

From Oct. 14-Nov. 24, 2008


Current Show

George Legrady: Cell Tango,

which will be held in Ford Gallery (in Ford Hall)

Created by George Legrady, Professor of Interactive Media at UC, Santa Barbara, Cell Tango is an animated, interactive installation featuring a dynamically evolving array of images transmitted from all over the globe by participants using cell phones. The organization of the images/texts is based on data from the point of origin: area code, carrier, time, date, and categories/descriptions created by contributors. Visitors to the exhibition will be able to add their own photos and interact with those of others in real time. The work examines the most recent products of popular culture, raising questions about technology's impact on identify and society. It provides a new understanding of the technologies that audience members use to navigate the culture in which they live.
Legrady's Interactive Visualization Lab conducts "aesthetic research through the implementation of complex technologies for new forms of content, narratives, experiences and analysis" <http://www.georgelegrady.com/>. It focuses on research and experimental projects in the areas of data visualization, algorithmic processes, computational photography, and interactive installation. Projects are realized as interactive art installations and digital publications, integrating data mapping and data visualization through semantic categorization and self-organizing algorithms.
Institutions throughout the United States and Canada and in France, Germany, Hungary, Netherlands and the United Kingdom have supported research & art projects of the Interactive Visualization lab. Legrady has received a grant from the National Endowment for the Arts, Washington, D.C. He is a co-principal in the National Science Foundation IGERT Interactive Multimedia Research Program.
EMU's showing of this exhibition is curated by BathHouse, an interdisciplinary hypermedia journal. It is sponsored by the Art and English departments and by EMU Student Government. BathHouse is a twice-yearly publisher of language-focused hybrid art that queries: What is writing? What is art? The journal seeks to discover how the presentation choices and processes of writing affect the content presented and how these choices and processes affect the audience's interaction with the work.
For more information, contact Larry Newhouse, gallery program director, at larry.newhouse@emich.edu, 734-487-0465 or 734-487-1077 or Sarah Smarch, Editor-in-Chief, Bathhouse Hypermedia Journal, at ssmarch@emich.edu or at http://www.BHJournal.com and click on exhibition. Images are available on request.

from Oct. 21 to Nov. 24, 2008
The gallery is open Monday and Thursday, 10:00 a.m. to 5:00 p.m.; Tuesday and Wednesday, 10:00 a.m. to 7:00 p.m.; Friday 10:00 a.m. to 2:00 p.m. For more information about this or other exhibitions, contact Larry Newhouse, Gallery Programs Director at (734) 487-4065 or larry.newhouse@emich.edu. Ford Gallery is barrier-free, free and open to the public.

EMU campus, Ypsilanti 734-487-0465

 

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